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Blackmagic Design URSA Mini 4.6K Digital Cinema Camera (EF-Mount)

SKU CINEURSAM46K/EF
Save 10% Save 10%
Original price $4,945.05
Original price $4,945.05 - Original price $4,945.05
Original price $4,945.05
Current price $4,443.69
$4,443.69 - $4,443.69
Current price $4,443.69
  • Super-35mm CMOS Sensor
  • 4608 x 2592 Video up to 60p
  • Compressed Raw Recording
  • Ready-to-Edit ProRes 444 + 422 Recording
  • Dual CFast 2.0 Memory Card Slots
  • 12G-SDI Output, Timecode & REF Input
  • 1080p Flip-Out Screen
  • Touchscreen Interface
  • 2 x XLR Audio Inputs with Phantom Power
  • Magnesium Alloy Body

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Blackmagic Design URSA Mini 4.6K Digital Cinema Camera (EF-Mount)

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Features

Now in a smaller, more handheld-friendly form factor, theURSA Mini 4.6K Digital Cinema CamerafromBlackmagic Designcan record cinematic images with its Super-35mm 4.6K, sensor with 15 stops of dynamic range. The ergonomic body design is balanced and can be used for many different styles of filmmaking. The EF-Mount is compatible with a plethora of popular lenses, opening different aesthetic options. A rosette on the side of the camera accepts the included side handle, which can control Start/Stop via a LANC connection.

To produce cinematic images, the URSA Mini can record raw sensor data in the CinemaDNG format onto CFast 2.0 memory cards at up to 60 fps. The raw files preserve the full dynamic range and color tonality output from the sensor, so you can have greater control over the look in post-production. However, data-heavy uncompressed raw files aren't always easy to deal with on set, so in addition to uncompressed raw recording, the 4.6K URSA Mini provides compressed raw recording at 3:1 and 4:1 compression ratios to save space while retaining post-production flexibility.

The URSA Mini also records UHD 4K (3840 x 2160) and 1080p video using ready-to-edit ProRes files in many different flavors within the 444 and 422 chroma subsampling variations, depending on your workflow. Starting at the high end, UHD footage can be recorded in ProRes 444 XQ at a rate of 312.5 MB/s all the way down to 1080p in a ProRes 422 Proxy file coming in at a relatively paltry 5.6 MB/s data rate. Since the camera accepts dual CFast cards, you can record for long periods of time by having the camera switch cards when one is full.

Power for the URSA Mini can be supplied via a 4-pin XLR jack at the rear of the camera. With an optional plate, the URSA will accept professional V-Mount or Gold Mount batteries on the back. Once connected to power, the URSA can even distribute power through a second 4-pin XLR jack.

Camera Features

Compact Handheld Design
Sizing down the familiar URSA shape enables the URSA Mini to fit into feature and indie film, broadcast TV, commercial, documentary, and music video workflows with crews of any size. Using the optional shoulder mount with a built-in quick release plate, the URSA Mini can go from handheld to shoulder to tripod in a matter of seconds. Despite its size, the URSA Mini still fits essential I/O for professional workflows.

The body is made from magnesium alloys to keep the URSA Mini lightweight at 5 lb. To make the camera more acceptable for handheld usage, a side handle is included. With the optional shoulder mount, the handle can be extended off the side of the camera to be used in a doc-style configuration.
4.6K Super-35mm Sensor
With an effective resolution of 4608 x 2592, the sensor housed inside the URSA Mini can capture motion pictures that have greater-than 4k resolution with a film-like 15 stops of dynamic range. A wide exposure latitude allows for greater control in post, enabling highlight recovery while keeping the shadows clean from artifacting.

The URSA Mini can record the entire sensor at up to 60 fps to fit television or other workflows which require higher frame rates. Using a smaller portion of the sensor, the URSA Mini can also record slow-motion footage at up to 120 fps in 1080p resolution. When recording high frame rates, the URSA Mini will conform captured footage to the set standard frame rate, resulting in smooth footage that doesn't require post-processing before editing.

Touchscreen Control
In addition to more traditional button-driven menus, the URSA Mini features a foldout 5-inch, 1920 x 1080 resolution capacitive touchscreen LCD monitor. Using the easily navigable touchscreen menu, you can see and change all camera settings, view timecode, histograms, audio levels, and focus peaking, as well as add shot metadata with an on-screen keyboard.
Professional Connections
The URSA Mini features multiple connections such as 12G-SDI out, HD-SDI monitoring out, two LANC inputs, balanced XLR audio with phantom power, timecode-in, and reference input. On the front right side of the camera, the 4-pin XLR DC and HD-SDI monitoring output are located in the perfect position for connecting to an optional viewfinder or on set monitor. The 12G-SDI output handles up to 2160p60 using a single BNC cable, and switches to 6G-SDI or HD-SDI depending on the shooting format.
Quality Sound Recording
With high-quality built-in microphones and professional audio recording features, you don't have to carry around extra sound equipment. You can use the built-in stereo microphone to record natural location sound or connect professional microphones using the two XLR mic inputs. The XLR connections have 48V of switchable phantom power, so you can plug shotgun or wireless lavalier mics for capturing more detail. You can quickly adjust levels using the physical knobs, while monitoring the audio using the onscreen audio meters and headphones.
Multiple Power Options
On its own, the URSA Mini includes a 4-pin XLR industry standard power connector that works with 12 to 30V external power supplies. That means it's easy to use the camera with existing professional power supplies and batteries. The camera uses the same battery power connector and mounting points on the rear of the camera as used on the original URSA, so you can use the same range of battery plates from a wide range of manufacturers such as IDX, Frezzi, Anton Bauer, and more. You can also add the optional Blackmagic URSA V-Lock Battery Plate for using popular V-Mount batteries.
DaVinci Resolve Software Included
Included with the camera is a DaVinci Resolve USB dongle, which contains a license to unlock the full feature-set within the software. The full version of DaVinci Resolve is compatible with Mac and Windows, and can be used for editing, color grading, media management, mastering, and delivery. DaVinci Resolve can easily handle the 12-bit log RAW images from URSA Mini so you can take advantage of the URSA Mini's amazing image quality and wide dynamic range. DaVinci Resolve features advanced, multi-layer timeline editing with powerful trimming tools, along with the industry's leading suite of creative grading tools

Item Includes

Blackmagic Design URSA Mini 4.6K Digital Cinema Camera (EF-Mount)

  • EF-Mount Port Cap
  • Side Handle
  • LANC Cable
  • Power Supply (Brick Only, No Power Cord)
  • DaVinci Resolve Full-Version License Dongle
  • Limited 1-Year Warranty

Item Includes

Blackmagic Design URSA Mini 4.6K Specs

Sensor
Size25.34 x 14.25 mm (Super-35)
Lens MountActive Canon EF
Effective Resolution4608 x 2592
Dynamic Range15 stops
Shooting Resolutions4608 x 2592
4096 x 2304 (4K 16:9)
4608 x 1920 (4K 2.4:1)
3840 x 2160 (Ultra HD)
3072 x 2560 (3K anamorphic)
2048 x 1152 (2K 16:9)
1920 x 1080
Frame Rates23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps
Display
Dimensions5" diagonal
Screen TypeLCD capacitive touchscreen
Resolution1920 x 1080
Recording
Media Card Slots2 x CFast 2.0
Recording FormatsCinemaDNG Raw (uncompressed or lossless 3:1/4:1 compressed) @ 4608x2592, 4096x2304, 4608x1920, 3072x2560, and 2048x1152 (film dynamic range)
Apple ProRes @ 3840x2160, 1920x1080 (film or video dynamic range)
Data Rates4608 x 2592:
Uncompressed CinemaDNG Raw - 513MB/s
CinemaDNG Raw 3:1 - 180 MB/s
CinemaDNG Raw 4:1 - 135 MB/s

3840 x 2160:
Apple ProRes 444 XQ - 312.5 MB/s
Apple ProRes 444 - 165 MB/s
Apple ProRes 422 HQ - 110 MB/s
Apple ProRes 422 - 73.6 MB/s
Apple ProRes 422 LT - 51 MB/s
Apple ProRes Proxy - 22.4 MB/s

1920 x 1080:
Apple ProRes 444 XQ - 62.5 MB/s
Apple ProRes 444 - 41.25 MB/s
Apple ProRes 422 HQ - 27.5 MB/s
Apple ProRes 422 - 18.4 MB/s
Apple ProRes 422 LT - 12.75 MB/s
Apple ProRes Proxy - 5.6 MB/s

Rates based on 30 fps
Metadata SupportAutomatic camera data and user-entered data such as shot number, file names, and keywords
Connections
Output1 x 12G-SDI, 10-bit 4:2:2
Reference1 x Reference input
Timecode1 x Timecode input
Analog Audio Inputs2 x XLR, selected mic/line level and +48 V phantom power
SDI Audio Output2-channel
Remote Control2 x LANC on 2.5 mm sub-mini, for controlling record Start/Stop, iris, and focus
USB1 x USB 2.0 mini Type-B for software updates
Supported StandardsSDI Compliance: SMPTE 292M, SMPTE 424 Level B, Draft SMPTE 2081-1, Draft SMPTE 2082-1

SDI Audio Sampling: 48 kHz and 24-bit
General
Microphone2 x Built-in cardioid microphones for stereo recording with -10 dB pad and low-cut filter
SpeakerIntegrated mono (enabled in playback when headphones are not used)
ControlsTouchscreen menus on 5" screen, push button controls for navigating menus
Mounting OptionsIntegrated rod mounts compatible with 15mm Light Weight Support (LWS) standard
System RequirementsMac OS X 10.9 or newer, Windows 7 (64-bit) or 8 (64-bit)

Note: See Blackmagic website for detailed system requirements and configuration guides.
Power ConnectorsInputs:
1 x 4-pin XLR input for external power supply or battery
1 x 12-pin Molex connector on rear battery plate

Outputs:
1 x 12V output using 4-pin XLR for powering external accessories such as EVF
1 x 12V regulated output from rear Molex 12-way connector
Battery Plate SupportMounting holes for V-Mount and Gold Mount battery plates
Operating Temperature32 to 104F / 0 to 40C
Storage Temperature-4 to 113F / -20 to 45C
Humidity0 to 90% RH, non-condensing
Dimensions8.2 x 7.6 x 5.8" / 21 x 19.3 x 14.7 cm
Weight5 lb / 2.3 kg
Packaging Info
Package Weight1.6 lb
Box Dimensions (LxWxH)12.9 x 10.0 x 7.9"


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